It takes both guts and a flair for whimsy to blend fantasy, reality, performance, and truth into one body of work — and Saint Valentine does just that in their stunning EP Transjester. Through folk-driven instrumentals, theatrical flourishes, and an expressive alto that glows with sincerity, the New Jersey-based drag king turns storytelling into liberation.

MARIS’s newest single is unapologetic, blunt, spunky and just downright cool — everything that sums up who MARIS is as an artist. With her gritty, powerhouse vocals and punk spirit, MARIS captures the relatable irritation that comes with the topic of nepotism, as well as the raw determination that emerges from it.

With their latest single “Napoleon,” The Bobby Lees breathe new life into punk’s unapologetic spirit — raw, unfiltered, and ready to bite back. The Woodstock trio doesn’t just play music; they provoke it, pushing listeners headfirst into chaos and clarity all at once.

Through dreamy acoustic pop melodies and unflinchingly honest lyrics, Savanna Leigh’s new EP for your entertainment crafts a story of self-growth, heartbreak, and renewal that feels both deeply personal and universally relatable.

Tate McRae is back — and she’s not holding back. With her newest single, “TIT FOR TAT,” McRae transforms heartbreak into empowerment, turning post-breakup chaos into a confident, club-ready anthem.

5 Seconds of Summer’s new single “NOT OK” is a chaotic thrill ride that perfectly captures the band’s knack for reinvention. With each member shining in their own way, “NOT OK” showcases the collective energy that has kept 5SOS evolving for over a decade — and sets the stage for the bold new era of their upcoming album, EVERYONE’S A STAR!.

Mouth Culture’s latest single, “Picking Wings Off A Butterfly,” is a raw and gripping dive into self-reflection, guilt, and the messy aftermath of emotional sabotage. Blending confessional lyrics with explosive alt-rock instrumentals, the Leicester trio balance fragility and frustration in a way that feels both deeply personal and universally relatable.

Cribbo’s latest single, “Long in the Tooth,” proves that pop-punk nostalgia can feel both timeless and deeply personal. Written entirely by Cribbo and brought to life with the help of her longtime friend Malena Roberts, the track is brimming with subtle sonic textures that highlight her instincts as both a songwriter and audio engineer.

Anaïs & The Hoops’ debut EP Growing Pains is a striking reminder that growing up doesn’t mean leaving your younger self behind—it means carrying them with you. With Growing Pains, Anaïs & The Hoops offer listeners both a hand to hold and a mirror to see themselves in, making this debut not just a collection of songs, but a companion for the journey.

With their single “Regret 101,” Leicester trio Mouth Culture prove once again that rock music is alive, kicking, and constantly evolving. It’s a fiery reminder of the band’s knack for turning vulnerability into high-voltage alt-rock — leaving listeners breathless and hitting repeat.

When I first listened to Alessi Rose’s Voyeur, I was struck by how boldly it dives into the chaos of toxic relationships and the bittersweet lessons they leave behind. In my review, I unpack how Rose blends cinematic soundscapes with razor-sharp lyricism to turn heartbreak into something strangely empowering.

Charlotte Sands is proving once again that she’s impossible to box in. With her latest single, “neckdeep,” the Nashville alt-pop force blends raw vulnerability with explosive grit, pulling listeners into a whirlwind of toxic love and emotional contradictions.

Aislinn Davis is done pretending crushes are cute. With her new single “Hobby,” she dives headfirst into the obsessive spiral of infatuation — and makes it sound cathartic, chaotic, and oddly empowering. In my exclusive interview with Crave Magazine, Davis opens up about the song’s origin, how her sound has evolved since her earliest releases, and what it means to write music that’s both confessional and catchy.

In the acoustic version of “You Look Like a Drunk Phoebe Bridgers,” Winona Fighter dials down the noise but turns up the emotion. What was once a punk-fueled burst of rage becomes a stripped-back, intimate portrait of heartbreak.

With “Nettles,” Ethel Cain breathes new life into a once-obscure demo, transforming it into an eight-minute reckoning of intimacy and imagined salvation.

In Older and Wiser, Lizzy McAlpine masterfully blends raw vulnerability with poetic storytelling, exploring the complexities of love, heartbreak, and personal growth.

Inhaler’s Open Wide, released on February 7, 2025, marks a bold step in their evolution, blending raw live energy with introspective songwriting.

After nearly three years since Preacher’s Daughter, Ethel Cain (Hayden Silas Anhedönia) returns with her haunting new EP, Perverts.

In a world ruled by endless scrolling and fleeting digital content, Nylon’s return to print after a three-year hiatus feels like a breath of fresh, ink-scented air.

Ethel Cain's Preacher’s Daughter album is a haunting exploration of trauma, family, and love, steeped in religious undertones and raw vulnerability. Each track is a window into Cain's emotional landscape, offering both devastation and glimmers of hope amidst the chaos.